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Close to the centre of Ghent
In an oasis of peace and yet close to the centre of the historic Ghent (approx. 3km). Due to the pleasant and cosy furnishing, you will feel completely at home. An ideal starting point to discover the beautiful town of Ghent, but also central enough to visit art cities. The house is located next to the Pére Lachaise of Ghent, where there are various big artists and next to the Gallery of Etienne Dewulf.
warning: The situation with regard to traffic and parking differs from one town to the other. It might occur that only paid parking possibilities are available in the holiday home's surroundings
note: The studio can also be rented per night. Prices available from Euro Relais upon request. Upon request, it is also possible to hire a room as a venue for: exhibitions - courses - meetings - performances - parties - ... For visitors to the beautiful city of Ghent, its love at first sight! You can go on a variety of trips, including: Abbeys, Cathedral, Mediaeval Buildings, Het Gravensteen, Guild Houses. The Kuip van Gent is like an open air museum! And not to mention the numerous gastronomic restaurants and an abundance of outdoor cafés... PROFILE:Etienne Dewulf is a passionate Ceramicist from Ghent. Does not beat around the bush. Straight from the shoulders. Born under the sign of Leo and re-born in the 1980s with a lump of clay in his stomach. Jack-of-all-trades. Builder and composer. Futurist and tracker in distant pasts. Decorator by profession. Magician of the decor and the three dimensional arts. Great organiser. Tutor (in his own studio and elsewhere) with countless clay-loving pupils. Given half a chance, he will shape a lump of clay into a work of art, which he then pit fires, surrendering it to the whims of fire. This was the way of the primitives, this is his way too. Etienne Dewulf is a non-chauvinist man. The holy ceramics fire still radiates from his eyes and gestures. Mere passion. Sharing his hands-on experience with others. He has been on this globe for over sixty years. The gods are beginning to notice his ceramic presence. If they would also share his passion, the ceramic landscape of Flanders and its surrounding regions could still be saved.
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